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University of California Berkeley 

From the library 


from the 
modern poetry 
collection * 
of james d hart 

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Quos ego Persephonae maxima donaferam." 






CANZON: THE SPEAR . . . . . 3 




To GUIDO CAVALCANTI . . . . . .n 

SONNET IN TENZONE . . . . . .12 




OCTAVE . . . . . . . .15 







DE AEGYPTO . ..... 19 







ERAT HORA . :;. ' v. . . . . 23 





THE GOLDEN SESTINA . . . . . 25 

ROME (FROM Du BELLAY) . ... 27 



III. ABELARD ....... 32 



ARIA 37 

L'ART -37 






Canzon: The Yearly Slain 


" Et huiusmodi stantiae usus est fere in omnibus cantionibus suis 
Arnaldus Danielis et nos eum secuti sumus." 

DANTE, De Vulgari Eloquio, II. 10. 


AH ! red-leafed time hath driven out the rose 
And crimson dew is fallen on the leaf 
Ere ever yet the cold white wheat be sown 
That hideth all earth's green and sere and red ; 
The Moon-flower 's fallen and the branch is bare, 
Holding no honey for the starry bees; 
The Maiden turns to her dark lord's demesne. 


Fairer than Enna's field when Ceres sows 
The stars of hyacinth and puts off grief, 
Fairer than petals on May morning blown 
Through apple-orchards where the sun hath shed 
His brighter petals down to make them fair ; 
Fairer than these the Poppy-crowned One flees, 
And Joy goes weeping in her scarlet train. 


The faint damp wind that, ere the even, blows 

Piling the west with many a tawny sheaf, 

Then when the last glad wavering hours are mown 

Sigheth and dies because the day is sped ; 

This wind is like her and the listless air 

Wherewith she goeth by beneath the trees, 

The trees that mock her with their scarlet stain. 


Love that is born of Time and comes and goes ! 
Love that doth hold all noble hearts in fief! 
As red leaves follow where the wind hath flown, 
So all men follow Love when Love is dead. 
O Fate of Wind ! O Wind that cannot spare, 
But drivest out the Maid, and pourest lees 
Of all thy crimson on the wold again, 

Kore my heart is, let it stand sans gloze! 
Love's pain is long, and lo, love's joy is brief! 
My heart erst alway sweet is bitter grown ; 
As crimson ruleth in the good green's stead, 
So grief hath taken all mine old joy's share 
And driven forth my solace and all ease 
Where pleasure bows to all-usurping pain. 


Crimson the hearth where one last ember glows ! 
My heart's new winter hath no such relief, 
Nor thought of Spring whose blossom he hath known 
Hath turned him back where Spring is banished. 
Barren the heart and dead the fires there, 


Blow ! O ye ashes, where the winds shall please, 
But cry, " Love also is the Yearly Slain." 


Be sped, my Canzon, through the bitter air ! 
To him who speaketh words as fair as these, 
Say that I also know the " Yearly Slain." 

Canzon: The Spear 

"T~^IS the clear light of love I praise 

J_ That steadfast gloweth o'er deep waters, 
A clarity that gleams always. 
Though man's soul pass through troubled waters, 
Strange ways to him are opened. 
To shore the beaten ship is sped 
If only love of light give aid. 


That fair far spear of light now lays 
Its long gold shaft upon the waters. 
Ah ! might I pass upon its rays 
To where it gleams beyond the waters, 
Or might my troubled heart be fed 
Upon the frail clear light there shed, 
Then were my pain at last allay'd. 


Although the clouded storm dismays 
Many a heart upon these waters, 
The thought of that far golden blaze 
Giveth me heart upon the waters, 


Thinking thereof my bark is led 
To port wherein no storm I dread ; 
No tempest maketh me afraid. 


Yet when within my heart I gaze 

Upon my fair beyond the waters, 

Meseems my soul within me prays 

To pass straightway beyond the waters. 

Though I be alway banished 

From ways and woods that she doth tread, 

One thing there is that doth not fade, 

Deep in my heart that spear-print stays, 
That wound I gat beyond the waters, 
Deeper with passage of the days 
That pass as swift and bitter waters, 
While a dull fire within my head 
Moveth itself if word be said 
Which hath concern with that far maid. 


My love is lovelier than the sprays 

Of eglantine above clear waters, 

Or whitest lilies that upraise 

Their heads in midst of moated waters. 

No poppy in the May-glad mead 

Would match her quivering lips' red 

If 'gainst her lips it should be laid. 


The light within her eyes, which slays 
Base thoughts and stilleth troubled waters, 

Is like the gold where sunlight plays 
Upon the still o'ershadowed waters. 
When anger is there mingled 
There comes a keener gleam instead, 
Like flame that burns beneath thin jade. 


Know by the words here mingled 

What love hath made my heart his stead, 

Glowing like flame beneath thin jade. 




HEART mine, art mine, whose embraces 
Clasp but wind that past thee bloweth ? 
E'en this air so subtly gloweth, 
Guerdoned by thy sun-gold traces, 
That my heart is half afraid 
For the fragrance on him laid ; 
Even so love's might amazes ! 


Man's love follows many faces, 
My love only one face knoweth ; 
Towards thee only my love floweth, 
And outstrips the swift stream's paces. 
Were this love well here displayed, 
As flame flameth 'neath thin jade 
Love should glow through these my phrases. 



Though I've roamed through many places, 
None there is that my heart troweth 
Fair as that wherein fair groweth 
One whose laud here interlaces 
Tuneful words, that I've essayed. 
Let this tune be gently played 
Which my voice herward upraises. 


If my praise her grace effaces, 
Then 'tis not my heart that showeth, 
But the skilless tongue that soweth 
Words unworthy of her graces. 
Tongue, that hath me so betrayed, 
Were my heart but here displayed, 
Then were sung her fitting praises. 


Canzon: Of Incense 


HY gracious ways, 

O Lady of my heart, have 
O'er all my thought their golden glamour cast; 
As amber torch-flames, where strange men-at-arms 
Tread softly 'neath the damask shield of night, 
Rise from the flowing steel in part reflected, 
So on my mailed thought that with thee goeth, 
Though dark the way, a golden glamour falleth. 

The censer sways 

And glowing coals some art have 

To free what frankincense before held fast 

Till all the summer of the eastern farms 

Doth dim the sense, and dream up through the light, 

As memory, by new-born love corrected 

With savour such as only new love knoweth 

Through swift dim ways the hidden pasts recalleth. 

On barren days, 

At hours when I> apart, have 

Bent low in thought of the great charm thou hast, 
Behold with music's many-stringed charms 
The silence groweth thou. O rare delight ! 
The melody upon clear strings inflected 
Were dull when o'er taut sense thy presence floweth, 
With quivering notes' accord that never palleth. 


The glowing rays 

That from the low sun dart, have 
Turned gold each tower and every towering mast ; 
The saffron flame, that flaming nothing harms 
Hides Khadeeth's pearl and all the sapphire might 
Of burnished waves, before her gates collected : 
The cloak of graciousness, that round thee gloweth, 
Doth hide the thing thou art, as here befalleth. 


All things worth praise 

That unto Khadeeth's mart have 
From far been brought through perils over-passed, 
All santal, myrrh, and spikenard that disarms 
The pard's swift anger; these would weigh but light 
'Gainst thy delights, my Khadeeth ! Whence protected 


By naught save her great grace that in him showeth, 
My song goes forth and on her mercy calleth. 


O censer of the thought that golden gloweth, 
Be bright before her when the evening falleth. 


Fragrant be thou as a new field one moweth, 
O song of mine that " Hers " her mercy calleth. 

Canzone: Of Angels 

HE that is Lord of all the realms of light 
Hath unto me from His magnificence 
Granted such vision as hath wrought my joy. 
Moving my spirit past the last defence 
That shieldeth mortal things from mightier sight, 
Where freedom of the soul knows no alloy, 
I saw what forms the lordly powers employ ; 
Three splendours, saw I, of high holiness, 
From clarity to clarity ascending 
Through all the roofless, tacit courts extending 
In aether which such subtle light doth bless 
As ne'er the candles of the stars hath wooed ; 
Know ye herefrom of their similitude. 


Withdrawn within the cavern of his wings, 
Grave with the joy of thoughts beneficent, 
And finely wrought and durable and clear, 
If so his eyes showed forth the mind's content, 


So sate the first to whom remembrance clings, 

Tissued like bat's wings did his wings appear, 

Not of that shadowy colouring and drear, 

But as thin shells, pale saffron, luminous; 

Alone, unlonely, whose calm glances shed 

Friend's love to strangers though no word were said, 

Pensive his godly state he keepeth thus. 

Not with his surfaces his power endeth, 

But is as flame that from the gem extendeth. 


My second marvel stood not in such ease, 
But he, the cloudy pinioned, winged him on 
Then from my sight as now from memory, 
The courier aquiline, so swiftly gone ! 
The third most glorious of these majesties 
Give aid, O sapphires of th' eternal see, 
And by your light illume pure verity. 
That azure feldspar hight the microcline, 
Or, on its wing, the Menelaus weareth 
Such subtlety of shimmering as beareth 
This marvel onward through the crystalline, 
A splendid calyx that about her gloweth, 
Smiting the sunlight on whose ray she goeth. 


The diver at Sorrento from beneath 
The vitreous indigo, who swiftly riseth, 
By will and not by action as it seemeth, 
Moves not more smoothly, and no thought surmiseth 
How she takes motion from the lustrous sheath 
Which, as the trace behind the swimmer, gleameth 
Yet presseth back the aether where it streameth. 


To her whom it adorns this sheath imparteth 
The living motion from the light surrounding ; 
And thus my nobler parts, to grief's confounding, 
Impart into my heart a peace which starteth 
From one round whom a graciousness is cast 
Which clingeth in the air where she hath past. 


Canzon, to her whose spirit seems in sooth 

Akin unto the feldspar, since it is 

So clear and subtle and azure, I send thee, saying: 

That since I looked upon such potencies 

And glories as are here inscribed in truth, 

New boldness hath o'erthrown my long delaying, 

And that thy words my new-born powers obeying 

Voices at last to voice my heart's long mood 

Are come to greet her in their amplitude. 

To Our Lady of Vicarious Atonement 



WHO are you that the whole world's song 
Is shaken out beneath your feet 
Leaving you comfortless, 
Who, that, as wheat 
Is garnered, gather in 
The blades of man's sin 
And bear that sheaf? 
Lady of wrong and grief, 
Blameless ! 


All souls beneath the gloom 
That pass with little flames, 
All these till time be run 
Pass one by one 
As Christs to save, and die ; 
What wrong one sowed, 
Behold, another reaps! 
Where lips awake our joy 
The sad heart sleeps 

No man doth bear his sin, 

But many sins 

Are gathered as a cloud about man's way. 

To Guide Cavalcanti 

DANTE and I are come to learn of thee, 
Ser Guido of Florence, master of us all, 
Love, who hath set his hand upon us three, 
Bidding us twain upon thy glory call. 
Harsh light hath rent from us the golden pall 
Of that frail sleep, His first light seigniory, 
And we are come through all the modes that fall 
Unto their lot who meet him constantly. 
Wherefore, by right, in this Lord's name we greet thee, 
Seeing we labour at his labour daily. 
Thou, who dost know what way swift words are crossed 
O thou, who hast sung till none at song defeat thee, 
Grant ! by thy might and hers of San Michele, 
Thy risen voice send flames this pentecost. 


Sonnet in Tenzone 


THOU mocked heart that cowerest by the door 
And durst not honour hope with welcoming, 
How shall one bid thee for her honour sing, 
When song would but show forth thy sorrow's store? 
What things are gold and ivory unto thee? 
Go forth, thou pauper fool! Are these for naught? 
Is heaven in lotus leaves? What hast thou wrought, 
Or brought, or sought, wherewith to pay the fee? " 


" If naught I give, naught do I take return. 

1 Ronsard me celebroit! ' behold I give 

The age-old, age-old fare to fairer fair 

And I fare forth into more bitter air ; 

Though mocked I go, yet shall her beauty live 

Till rimes unrime and Truth shall truth unlearn." 

Sonnet: Chi e Questa? 

WHO is she coming, that the roses bend 
Their shameless heads to do her passing honour? 
Who is she coming with a light upon her 
Not born of suns that with the day's end end? 
Say is it Love who hath chosen the nobler part? 
Say is it Love, that was divinity, 
Who hath left his godhead that his home might be 
The shameless rose of her unclouded heart? 


If this be Love, where hath he won such grace? 
If this be Love, how is the evil wrought, 
That all men write against his darkened name? 
If this be Love, if this . . . 

O mind give place ! 

What holy mystery e'er was noosed in thought? 
Own that thou scan'st her not, nor count it shame ! 

Ballata, Fragment 

FULL well thou knowest, song, what grace I mean, 
E'en as thou know'st the sunlight I have lost. 
Thou knowest the way of it and know'st the sheen 
About her brows where the rays are bound and crossed, 
E'en as thou knowest joy and know'st joy's bitter cost. 
Thou know'st her grace in moving, 
Thou dost her skill in loving, 
Thou know'st what truth she proveth, 
Thou knowest the heart she moveth, 
O song where grief assoneth ! 

Canzon: The Vision 


WHEN first I saw thee 'neath the silver mist, 
Ruling thy bark of painted sandal-wood, 
Did any know thee? By the golden sails 
That clasped the ribbands of that azure sea, 
Did any know thee save my heart alone? 
O ivory woman with thy bands of gold, 
Answer the song my luth and I have brought thee ! 



Dream over golden dream that secret cist, 

Thy heart, O heart of me, doth hold, and mood 

On mood of silver, when the day's light fails, 

Say who hath touched the secret heart of thee, 

Or who hath known what my heart hath not known ! 

O slender pilot whom the mists enfold, 

Answer the song my luth and I have wrought thee ! 


When new love plucks the falcon from his wrist, 

And cuts the gyve and casts the scarlet hood, 

Where is the heron heart whom flight avails? 

O quick to prize me Love, how suddenly 

From out the tumult truth has ta'en his own, 

And in this vision is our past unrolled. 

Lo ! With a hawk of light thy love hath caught me. 


And I shall get no peace from eucharist, 
Nor doling out strange prayers before the rood, 
To match the peace that thine hands' touch entails ; 
Nor doth God's light match light shed over me 
When thy caught sunlight is about me thrown, 
Oh, for the very ruth thine eyes have told, 
Answer the rune this love of thee hath taught me. 

After an age of longing had we missed 
Our meeting and the dream, what were the good 
Of weaving cloth of words? Were jewelled tales 
An opiate meet to quell the malady 
Of life unlived? In untried monotone 


Were not the earth as vain, and dry, and old, 
For thee, O Perfect Light, had I not sought thee? 


Calais, in song where word and tone keep tryst 
Behold my heart, and hear mine hardihood ! 
Calais, the wind is come and heaven pales 
And trembles for the love of day to be. 
Calais, the words break and the dawn is shown. 
Ah, but the stars set when thou wast first bold, 
Turn! lest they say a lesser light distraught thee. 


O ivory thou, the golden scythe hath mown 
Night's stubble and my joy. Thou royal souled, 
Favour the quest! Lo, Truth and I have sought thee! 


FINE songs, fair songs, these golden usuries 
Her beauty earns as but just increment, 
And they do speak with a most ill intent 
Who say they give when they pay debtor's fees. 

I call him bankrupt in the courts of song 
Who hath her gold to eye and pays her not, 
Defaulter do I call the knave who hath got 
Her silver in his heart, and doth her wrong. 


IF on the tally-board of wasted days 
They daily write me for proud idleness, 
Let high Hell summons me, and I confess, 
No overt act the preferred charge allays. 

To-day I thought what boots it what I thought? 
Poppies and gold! Why should I blurt it out? 
Or hawk the magic of her name about 
Deaf doors and dungeons where no truth is bought? 

Who calls me idle? I have thought of her. 
Who calls me idle? By God's truth I've seen 
The arrowy sunlight in her golden snares. 

Let him among you all stand summonser 

Who hath done better things ! Let whoso hath been 

With worthier works concerned, display his wares ! 


'nr^HE light became her grace and dwelt among 

JL Blind eyes and shadows that are formed as men ; 
Lo, how the light doth melt us into song : 

The broken sunlight for a healm she beareth 
Who hath my heart in jurisdiction. 
In wild- wood never fawn nor fallow fareth 
So silent light ; no gossamer is spun 
So delicate as she is, when the sun 
Drives the clear emeralds from the bended grasses 
Lest they should parch too swiftly, where she passes. 


LEAR is my love but shadowed 
By the spun gold above her, 
Ah, what a petal those bent sheaths discover! 

The olive wood hath hidden her completely, 

She was gowned that discreetly 

The leaves and shadows concealed her completely. 

Fair is my love but followed 

In all her goings surely 

By gracious thoughts, she goeth so demurely. 

Era Mea 

ERA mea 
In qua terra 
Dulce myrti floribus, 
Rosa amoris 
Via erroris 
Ad te coram 


Mistress mine, in what far land, 
Where the myrtle bloweth sweet 
Shall I weary with my way-fare, 
Win to thee that art as day fair, 
Lay my roses at thy feet? 



O more for us the little sighing 1 , 
No more the winds at twilight trouble us. 

Lo the fair dead ! 

No more do I burn. 

No more for us the fluttering of wings 

That whirred in the air above us. 

Lo the fair dead ! 

No more desire flayeth me, 
No more for us the trembling 
At the meeting of hands. 

Lo the fair dead ! 

No more for us the wine of the lips, 
No more for us the knowledge. 

Lo the fair dead ! 

No more the torrent, 

No more for us the meeting-place 

(Lo the fair dead !) 


The Tree 

I STOOD still and was a tree amid the wood, 
Knowing the truth of things unseen before ; 
Of Daphne and the laurel bow 
And that god-feasting couple old 

That grew elm-oak amid the wold. 
'Twas not until the gods had been 
Kindly entreated, and been brought within 
Unto the hearth of their heart's home 
That they might do this wonder thing ; 
Nathless I have been a tree amid the wood 
And many a new thing understood 
That was rank folly to my head before. 

Paracelsus In Excelsis 

EING no longer human why should I 

Pretend humanity or don the frail attire? 
Men have I known, and men, but never one 
Was grown so free an essence, or become 
So simply element as what I am. 
The mist goes from the mirror and I see ! 
Behold ! the world of forms is swept beneath 
Turmoil grown visible beneath our peace, 
And we, that are grown formless, rise above 
Fluids intangible that have been men, 
We seem as statues round whose high-risen base 
Some overflowing river is run mad, 
In us alone the element of calm ! " 


De Aegypto 

EVEN I, am he who knoweth the roads 

Through the sky, and the wind thereof is my body. 

I have beheld the Lady of Life, 

I, even I, who fly with the swallows. 


Green and gray is her raiment, 
Trailing along the wind. 

I, even I, am he who knoweth the roads 
Through the sky, and the wind thereof is my body. 

Manus animam pinxit, 
My pen is in my hand 

To write the acceptable word. . . . 
My mouth to chant the pure singing ! 

Who hath the mouth to receive it, 
The song of the Lotus of Kumi? 

I, even I, am he who knoweth the roads 
Through the sky, and the wind thereof is my body. 

I am flame that riseth in the sun, 
I, even I, who fly with the swallows. 

The moon is upon my forehead, 
The winds are under my lips. 

The moon is a great pearl in the waters of sapphire, 
Cool to my fingers the flowing waters. 

I, even I, am he who knoweth the roads 

Through the sky, and the wind thereof is my body. 

I will return to the halls of the flowing, 
Of the truth of the children of Ashu. 

I, even I, am he who knoweth the roads 
Of the sky, and the wind thereof is my body. 


Li Bel Chasteus 

THAT castle stands the highest in the land 
Far seen and mighty. Of the great hewn stones 
What shall I say? And deep foss way 
That far beneath us bore of old 
A swelling turbid sea 
Hill-born and tumultuous 
Unto the fields below, where 
Staunch villein and 
Burgher held the land and tilled 
Long labouring for gold of wheat grain 
And to see the beards come forth 
For barley's even time. 

But arched high above the curl of life 

We dwelt amid the ancient boulders, 

Gods had hewn and druids turned 

Unto that birth most wondrous, that had grown 

A mighty fortress while the world had slept, 

And we awaited in the shadows there 

When mighty hands had laboured sightlessly 

And shaped this wonder 'bove the ways of men. 

Me seems we could not see the great green waves 

Nor rocky shore by Tintagoel 

From this our hold, 

But came faint murmuring as undersong, 

E'en as the burghers' hum arose 

And died as faint wind melody 

Beneath our gates. 


Prayer for his Lady's Life 


HERE let thy clemency, Persephone, hold firm, 
Do thou, Pluto, bring here no greater harshness. 
So many thousand beauties are gone down to Avernus 
Ye might let one remain above with us. 

With you is lope, with you the white-gleaming Tyro, 
With you is Europa and the shameless Pasiphae, 
And all the fair from Troy and all from Achaia, 
From the sundered realms, of Thebes and of aged 

Priamus ; 

And all the maidens of Rome, as many as they were, 
They died and the greed of your flame consumes them. 

Here let thy clemency, Persephone, hold firm, 
Do thou, Pluto, bring here no greater harshness. 
So many thousand fair are gone down to Avernus, 
Ye might let one remain above with us. 

Speech for Psyche in the Golden Book of 

ALL night, and as the wind lieth among 
The cypress trees, he lay, 
Nor held me save as air that brusheth by one 
Close, and as the petals of flowers in falling 
Waver and seem not drawn to earth, so he 
Seemed over me to hover light as leaves 
And closer me than air, 

And music flowing through me seemed to open 
Mine eyes upon new colours. 

O winds, what wind can match the weight of him! 

" Blandula, Tenulla, Vagula." 

WHAT hast thou, O my soul, with paradise? 
Will we not rather, when our freedom 's won, 
Get us to some clear place wherein the sun 
Lets drift in on us through the olive leaves 
A liquid glory? If at Sirmio 
My soul, I meet thee, when this life 's outrun, 
Will we not find some headland consecrated 
By aery apostles of terrene delight, 
Will not our cult be founded on the waves, 
Clear sapphire, cobalt, cyanine, 
On triune azures, the impalpable 
Mirrors unstill of the eternal change? 

Soul, if She meet us there, will any rumour 
Of havens more high and courts desirable 
Lure us beyond the cloudy peak of Riva? 

Erat Hora 

" ^ I ^HANKyou, whatever comes." And then she turned 

JL And, as the ray of sun on hanging flowers 
Fades when the wind hath lifted them aside, 
Went swiftly from me. Nay, whatever comes 
One hour was sunlit and the most high gods 
May not make boast of any better thing 
Than to have watched that hour as it passed. 


O IVORY, delicate hands ! 
O face that hovers 
Between " To-come" and " Was," 
Ivory thou wast, 
A rose thou wilt be. 



I LOOKED and saw a sea 
roofed over with rainbows, 
In the midst of each 

two lovers met and departed ; 
Then the sky was full of faces 

with gold glories behind them. 

La Nuvoletta 

Dante to an unknown lady, beseeching her not to interrupt his 
cult of the dead Beatrice. From " II Canzoniere," Ballata II. 

AH little cloud that in Love's shadow lief 
Upon mine eyes so suddenly alightest, 
Take some faint pity on the heart thou smitest 
That hopes in thee, desires, dies, in brief. 

Ah little cloud of more than human fashion 
Thou settest a flame within my mind's mid space 
With thy deathly speech that grieveth ; 


Then as a fiery spirit in thy ways 

Greatest hope, in part a rightful passion, 

Yet where thy sweet smile giveth 

His grace, look not ! For in Her my faith liveth. 

Think on my high desire whose flame's so great 
That nigh a thousand who were come too late, 
Have felt the torment of another's grief. 

Rosa Sempiterna. 

AROSE I set within my " Paradise " 
Lo how his red is turned to yellowness, 
Not withered but grown old in subtler wise 
Between the empaged rime's high holiness 
Where Dante sings of that rose's device 
Which yellow is, with souls in blissfulness. 
Rose whom I set within my paradise, 
Donor of roses and of parching sighs, 
Of golden lights and dark unhappiness, 
Of hidden chains and silvery joyousness, 
Hear how thy rose within my Dante lies, 
O rose I set within my paradise. 

The Golden Sestina 


IN the bright season when He, most high Jove, 
From welkin reaching down his glorying hand, 
Decks the Great Mother and her changing face, 


Clothing her not with scarlet skeins and gold 
But with th' empurpling flowers and gay grass, 
When the young year renewed, renews the sun, 

When, then, I see a lady like the sun, 

One fashioned by th' high hand of utmost Jove, 

So fair beneath the myrtles on gay grass 

Who holdeth Love and Truth, one by each hand, 

It seems, if I look straight, two bands of gold 

Do make more fair her delicate fair face. 

Though eyes are dazzled, looking on her face 

As all sight faileth that looks toward the sun, 

New metamorphoses, to rained gold, 

Or bulls or whitest swans, might fall on Jove 

Through her, or Phoebus, his bag-pipes in hand, 

Might, mid the droves, come barefoot o'er our grass. 

Alas, that there was hidden in the grass 
A cruel shaft, the which, to wound my face, 
My Lady took in her own proper hand. 
If I could not defend me 'gainst that sun 
I take no shame, for even utmost Jove 
Is in high heaven pierced with darts of gold. 

Behold the green shall find itself turned gold 

And spring shall be without her flowers and grass, 

And hell's deep be the dwelling place of Jove 

Ere I shall have uncarved her holy face 

From my heart's midst, where 'tis both Sun and sun ; 

And yet she beareth me such hostile hand ! 

O sweet and holy and O most light hand, 
O intermingled ivory and gold, 
O mortal goddess and terrestrial sun 


Who comest not to foster meadow grass, 
But to show heaven by a likened face 
Wert sent amongst us by th' exalted Jove, 

I still pray Jove that he permit no grass 
To cover o'er thy hands, thy face, thy gold 
For heaven's sufficed with a single sun. 



" Troica Roma resurges." 


OTHOU new comer who seek'st Rome in Rome 
And find'st in Rome no thing thou canst call 

Roman ; 

Arches worn old and palaces made common, 
Rome's name alone within these walls keeps home. 

Behold how pride and ruin can befall 

One who hath set the whole world ' neath her laws, 

All-conquering, now conquered, because 

She is Time's prey and Time consumeth all. 

Rome that art Rome's one sole last monument, 
Rome that alone hast conquered Rome the town, 
Tiber alone, transient and seaward bent, 
Remains of Rome. O world, thou unconstant mime! 
That which stands firm in thee Time batters down, 
And that which fleeteth doth outrun swift time. 


Her Monument, the Image Cut thereon 


(Written 1831-3 circa) 

SUCH wast thou, 
Who art now 

But buried dust and rusted skeleton. 
Above the bones and mire, 
Motionless, placed in vain, 
Mute mirror of the flight of speeding years, 
Sole guard of grief 
Sole guard of memory 
Standeth this image of the beauty sped. 

O glance, when thou wast still as thou art now, 

How hast thou set the fire 

A-tremble in men's veins ; O lip curved high 

To mind me of some urn of full delight, 

O throat girt round of old with swift desire, 

O palms of Love, that in your wonted ways 

Not once but many a day 

Felt hands turn ice a-sudden, touching ye, 

That ye were once ! of all the grace ye had 

That which remaineth now 

Shameful, most sad 

Finds 'neath this rock fit mould, fit resting place ! 

And still when fate recalleth, 

Even that semblance that appears amongst us 

Is like to heaven's most 'live imagining. 

All, all our life's eternal mystery ! 

To-day, on high 


Mounts, from our mighty thoughts and from the fount 

Of sense untellable, Beauty 

That seems to be some quivering splendour cast 

By the immortal nature on this quicksand, 

And by surhuman fates 

Given to mortal state 

To be a sign and an hope made secure 

Of blissful kingdoms and the aureate spheres; 

And on the morrow, by some lightsome twist, 

Shameful in sight, abject, abominable 

All this angelic aspect can return 

And be but what it was 

With all the admirable concepts that moved from it 

Swept from the mind with it in its departure. 

Infinite things desired, lofty visions 

'Got on desirous thought by natural virtue, 

And the wise concord, whence through delicious seas 

The arcane spirit of the whole Mankind 

Turns hardy pilot . . . and if one wrong note 

Strike the tympanum, 


That paradise is hurled to nothingness. 

O mortal nature, 

If thou art 

Frail and so vile in all, 

How canst thou reach so high with thy poor sense ; 

Yet if thou art 

Noble in any part 

How is the noblest of thy speech and thought 

So lightly wrought 

Or to such base occasion lit and quenched? 


Victorian Eclogues 


AH would you turn me back now from the flowers, 
You who are different as the air from sea is, 
Ah for the pollen from our wreath of hours, 
You who are magical, not mine as she is, 
Say will you call us from our time of flowers ? 

You whom I loved and love, not understanding, 
Yea we were ever torn with constant striving, 
Seeing our gods are different, and commanding 
One good from them, and in my heart reviving 
Old discords and bent thought, not understanding. 

We who have wept, we who have lain together 
Upon the green and sere and white of every season, 
We who have loved the sun but for the weather 
Of our own hearts have found no constant reason, 
What is your part, now we have come together? 

What is your pain, Dear, what is your heart now 

A little sad, a little Nay, I know not 

Seeing I never had and have no part now 

In your own secret councils wherein blow not 

My roses. My vineyard being another heart now? 

You who were ever dear and dearer being strange, 
How shall I " go " who never came anear you? 
How could I stay, who never came in range 
Of anything that halved ; could never hear you 
Rightly in your silence; nay, your very speech was 


You, who have loved not what I was or will be, 
You who but loved me for a thing I could be, 
You who love not a song whate'er its skill be 
But only love the cause or what cause should be, 
How could I give you what I am or will be? 

Nay, though your eyes are sad, you will not hinder, 
You, who would have had me only near not nearer, 
Nay though my heart had burned to a bright cinder 
Love would have said to me: " Still fear her, 
Pain is thy lot and naught she hath can hinder," 

So I, for this sad gladness that is mine now, 

Who never spoke aright in speaking to you, 

Uncomprehending anything that 's thine now, 

E'en in my spoken words more wrong may do you 

In looking back from this new grace that 's mine now. 

Sic semper finis deest. 



WHAT if I know thy speeches word by word? 
And if thou knew'st I knew them wouldst thou 


What if I know thy speeches word by word, 
And all the time thou sayest them o'er I said, 
" Lo, one there was who bent her fair bright head, 
Sighing as thou dost through the golden speech." 
Or, as our laughters mingle each with each, 
As crushed lips take their respite fitfully, 
What if my thoughts were turned in their mid reach 

Whispering among them, " The fair dead 

Must know such moments, thinking on the grass ; 

On how white dogwoods murmured overhead 

In the bright glad days ! " 

How if the low dear sound within thy throat 

Hath as faint lute-strings in its dim accord 

Dim tales that blind me, running one by one 

With times told over as we tell by rote ; 

What if I know thy laughter word by word 

Nor find aught novel in thy merriment? 



" Pere Esbaillart a Sanct Denis." 

" T) ECAUSE my soul cried out, and only the long 

JZ) ways 

Grown weary, gave me answer and 
Because she answered when the very ways were dumb 
With all their hoarse, dry speech grown faint and chill. 
Because her answer was a call to me, 
Though I have sinned, my God, and though thy angels 
Bear no more now my thought to whom I love ; 
Now though I crouch afraid in all thy dark 
Will I once cry to thee : 

Once more ! Once more my strength ! 
Yea though I sin to call him forth once more, 
Thy messengers for mine, 
Their wings my power ! 

And let once more my wings fold down above her, 
Let their cool length be spread 


Over her feet and head 

And let thy calm come down 

To dwell within her, and thy gown of peace 

Clothe all her body in its samite. 

O Father of all the blind and all the strong, 

Though I have left thy courts, though all the throng 

Of thy gold-shimmering choir know me not, 

Though I have dared the body and have donned 

Its frail strong-seeming, and although 

Its lightening joy is made my swifter song, 

Though I have known thy stars, yea all, 

and chosen one. 

Yea though I make no barter, and repent no jot, 
Yet for the sunlight of that former time 
Grant me the boon, O God, 

Once more, once more, or I or some white thought 
Shall rise beside her and, enveloping 
All her strange glory in its wings of light, 
Bring down thy peace upon her way-worn soul. 
Oh sheathe that sword of her in some strong case, 
The doe-skin scabbard of thy clear Rafael ! 
Yea let thy angels walk, as I have seen 
Them passing, or have seen their wings 
Spread their pavilions o'er our twin delight. 
Yea I have seen them when the purple light 
Hid all her garden from my drowsy eyes. 


A Prologue 


The Lords of the Air: 

HAT light hath passed us in the silent ways? 


The Spirits of Fire: 

We are sustained, strengthened suddenly. 

The Spirits of Water: 

Lo, how the utmost deeps are clarified ! 

The Spirits Terrene: 

What might is this more potent than the spring? 
Lo, how the night 

Which wrapped us round with its most heavy cloths 
Opens and breathes with some strange-fashioned 
brightness ! 


Christ, the eternal Spirit in Heaven speaketh thus, over 

the child of Mary : 

O star, move forth and write upon the skies, 
" This child is born in ways miraculous." 

O windy spirits, that are born in Heaven, 

Go down and bid the powers of Earth and Air 

Protect his ways until the Time shall come. 


O Mother, if the dark of things to be 
Wrap round thy heart with cloudy apprehensions, 
Eat of thy present corn, the aftermath 
Hath its appointed end in whirling light. 

Eat of thy present corn, thou so hast share 
In mightier portents than Augustus hath. 

In every moment all to be is born, 

Thou art the moment and need'st fear no scorn. 

Echo of the Angels singing " Exultasti: " 

Silence is born of many peaceful things, 

Thus is the starlight woven into strings 

Whereon the Powers of peace make sweet accord. 

Rejoice, O Earth, thy Lord 

Hath chosen Him his holy resting-place. 

Lo, how the winged sign 

Flutters above that hallowed chrysalis. 


The invisible Spirit of the Star answers them: 
Bend, in your singing, gracious potencies, 
Bend low above your ivory bows and gold ! 
That which ye know but dimly hath been wrought 
High in the luminous courts and azure ways : 
Bend in your praise; 
For though your subtle thought 
Sees but in part the source of mysteries, 
Yet are ye bidden in your songs, sing this : 

" Gloria! gloria in excelsis 
Pax in terra nunc natast" 

Angels continuing in song: 

Shepherds and kings, with lambs and frankincense 
Go and atone for mankind's ignorance : 
Make ye soft savour from your ruddy myrrh. 
Lo, how God's son is turned God's almoner. 

Give ye this little 
Ere he give ye all. 


One of the Magi: 

How the deep-voiced night turns councillor ! 
And how, for end, our starry meditations 
Admit us to his board ! 

A Shepherd: 

Sir, we be humble and perceive ye are 
Men of great power and authority, 
And yet we too have heard. 


(Lucina dolentibus:) 

" Behold the deed! Behold the act supreme! 
With mine own hands have I prepared my doom, 
Truth shall grow great eclipsing other truth, 
And men forget me in the aging years. 


Maestro di Tocar 

(W. R.) 

YOU, who are touched not by our mortal ways 
Nor girded with the stricture of our bands, 
Have but to loose the magic from your hands 
And all men's hearts that glimmer for a day, 
And all our loves that are so swift to flame 
Rise in that space of sound and melt away. 




Y love is a deep flame 

that hides beneath the waters. 

My love is gay and kind, 
My love is hard to find 

as the flame beneath the waters. 

The fingers of the wind 

meet hers 
With a frail 

swift greeting. 
My love is gay 

and kind 

and hard 

of meeting, 

As the flame beneath the waters 
hard of meeting. 


WHEN brightest colours seem but dull in hue 
And noblest arts are shown mechanical, 
When study serves but to heap clue on clue 
That no great line hath been or ever shall, 
But hath a savour like some second stew 
Of many pot-lots with a smack of all. 
'Twas one man's field, another's hops the brew, 
'Twas vagrant accident not fate's fore-call. 


Horace, that thing of thine is overhauled, 

And " Wood notes wild " weaves a concocted sonnet. 

Here aery Shelley on the text hath called, 

And here, Great Scott, the Murex, Keats comes on it. 

And all the lot howl, " Sweet Simplicity ! " 

'Tis Art to hide our theft exquisitely. 

Song in the Manner of Housman 

OWOE, woe, 
People are born and die, 
We also shall be dead pretty soon 
Therefore let us act as if we were 
dead already. 

The bird sits on the hawthorn tree 
But he dies also, presently. 
Some lads get hung, and some get shot. 
Woeful is this human lot. 

Woe! woe, etcetera. . . . 

London is a woeful place, 
Shropshire is much pleasanter. 
Then let us smile a little space 
Upon fond nature's morbid grace. 

Oh y Woe, woe, woe, etcetera. . . 

Translations from Heine 


IS your hate, then, of such measure? 
Do you, truly, so detest me? 
Through all the world will I complain 
Of how you have addressed me. 

O ye lips that are ungrateful, 
Hath it never once distressed you, 
That you can say such awful things 
Of any one who ever kissed you? 


SO thou hast forgotten fully 
That I so long held thy heart wholly, 
Thy little heart, so sweet and false and small 
That there 's no thing more sweet or false at all. 

Love and lay thou hast forgotten fully, 
And my heart worked at them unduly. 
I know not if the love or if the lay were better stuff, 
But I know now, they both were good enough. 


TELL me where thy lovely love is, 
Whom thou once did sing so sweetly, 
When the fairy flames enshrouded 
Thee, and held thy heart completely. 

All the flames are dead and sped now 
And my heart is cold and sere ; 
Behold this book, the urn of ashes, 
Tis my true love's sepulchre. 


I DREAMT that I was God Himself 
Whom heavenly joy immerses, 
And all the angels sat about 
And praised my verses. 


THE mutilated choir boys 
When I begin to sing 
Complain about the awful noise 
And call my voice too thick a thing. 

When light their voices lift them up, 
Bright notes against the ear, 
Through trills and runs like crystal, 
Ring delicate and clear. 

They sing of Love that 's grown desirous, 
Of Love, and joy that is Love's inmost part, 
And all the ladies swim through tears 
Toward such a work of art. 


THIS delightful young man 
Should not lack for honourers, 
He propitiates me with oysters, 
With Rhine wine and liqueurs. 

How his coat and pants adorn him ! 
Yet his ties are more adorning, 
In these he daily comes to ask me : 
Are you feeling well this morning? 

He speaks of my extended fame, 
My wit, charm, definitions, 
And is diligent to serve me, 
Is detailed in his provisions. 

In evening company he sets his face 
In most spirituel positions, 
And declaims before the ladies 
My god-like compositions. 

O what comfort is it for me 
To find him such, when the days bring 
No comfort, at my time of life when 
All good things go vanishing. 


Harry Heine, curses be, 

1 live too late to sup with thee ! 

Who can demolish at such polished ease 
Philistia's pomp and Art' s pomposities ! 

4 1 



I AM the Princess Ilza 
In Ilsenstein I fare, 
Come with me to that castle 
And we'll be happy there. 

Thy head will I cover over 
With my waves' clarity 
Till thou forget thy sorrow, 
O wounded sorrowfully. 

Thou wilt in my white arms there, 
Nay, on my breast thou must 
Forget and rest and dream there 
For thine old legend-lust. 

My lips and my heart are thine there 
As they were his and mine. 
His? Why the good King Harry's, 
And he is dead lang syne. 

Dead men stay alway dead men, 
Life is the live man's part, 
And I am fair and golden 
With joy breathless at heart. 

If my heart stay below there, 
My crystal halls ring clear 
To the dance of lords and ladies 
In all their splendid gear. 

The silken trains go rustling, 
The spur-clinks sound between, 
The dark dwarfs blow and bow there 
Small horn and violin. 

Yet shall my white arms hold thee, 
That bound King Harry about. 
Ah, I covered his ears with them 
When the trumpet rang out. 

Und Drang 

Nay, dwells he in cloudy rumour alone? 


I AM worn faint, 
The winds of good and evil 
Blind me with dust 
And burn me with the- cold, 
There is no comfort being over-man ; 
Yet are we come more near 
The great oblivions and the labouring night, 
Inchoate truth and the sepulchral forces. 


/CONFUSION, clamour, 'mid the many voices 
\^_s Is there a meaning, a significance? 

That life apart from all life gives and takes, 

This life, apart from all life's bitter and life's sweet, 

Is good. 

Ye see me and ye say : exceeding sweet 


Life's gifts, his youth, his art, 
And his too soon acclaim. 

I also knew exceeding" bitterness, 
Saw good things altered and old friends fare forth, 
And what I loved in me hath died too soon, 
Yea I have seen the " gray above the green "; 
Gay have I lived in life ; 

Though life hath lain 

Strange hands upon me and hath torn my sides, 
Yet I believe. 

Life is most cruel where she is most wise. 



HE will to live goes from me. 

I have lain 
Dull and out-worn 

with some strange, subtle sickness. 
Who shall say 

That love is not the very root of this, 
O thou afar? 

Yet she was near me, 

that eternal deep. 
O it is passing strange that love 
Can blow two ways across one soul. 

And I was Aengus for a thousand years, 
And she, the ever-living, moved with me 
And strove amid the waves, and 

would not go. 




" Far buon tempo e trionfare " 

HAVE put my days and dreams out of mind " 
For all their hurry and their weary fret 
Availed me little. But another kind 
Of leaf that's fast in some more sombre wind, 
Is man on life, and all our tenuous courses 
Wind and unwind as vainly. 

I have lived long, and died, 

Yea I have been dead, right often, 

And have seen one thing : 

The sun, while he is high, doth light our wrong 

And none can break the darkness with a song. 

To-day's the cup. To-morrow is not ours : 
Nay, by our strongest bands we bind her not, 
Nor all our fears and our anxieties 
Turn her one leaf or hold her scimitar. 

The deed blots out the thought 

And many thoughts, the vision ; 

And right's a compass with as many poles 

As there are points in her circumference, 

'Tis vain to seek to steer all courses even, 

And all things save sheer right are vain enough. 

The blade were vain to grow save toward the sun, 

And vain th' attempt to hold her green forever. 

All things in season and no thing o'er long! 
Love and desire and gain and good forgetting, 
Thou canst not stay the wheel, hold none too long ! 


HOW our modernity, 
Nerve-wracked and broken, turns 
Against time's way and all the way of things, 
Crying with weak and egoistic cries ! 

All things are given over, 
Only the restless will 
Surges amid the stars 
Seeking new moods of life, 
New permutations. 

See, and the very sense of what we know 
Dodges and hides as in a sombre curtain 
Bright threads leap forth, and hide, and leave no 


I THOUGHT I had put Love by for a time 
And I was glad, for to me his fair face 
Is like Pain's face. 

A little light, 

The lowered curtain and the theatre ! 
And o'er the frail talk of the inter-act 
Something that broke the jest ! A little light, 
The gold, and half the profile ! 

The whole face 

Was nothing like you, yet that image cut 
Sheer through the moment. 


I have gone seeking- for you in the twilight, 

Here in the flurry of Fifth Avenue, 

Here where they pass between their teas and teas. 

Is it such madness? though you could not be 

Ever in all that crowd, no gown 

Of all their subtle sorts could be your gown. 

Yet I am fed with faces, is there one 
That even in the half-light mindeth me. 



TIS Evanoe's, 
A house not made with hands, 
But out somewhere beyond the worldly ways 
Her gold is spread, above, around, inwoven, 
Strange ways and walls are fashioned out of it. 

And I have seen my Lady in the sun, 

Her hair was spread about, a sheaf of wings, 

And red the sunlight was, behind it all. 

And I have seen her there within her house, 
With six great sapphires hung along the wall, 
Low, panel-shaped, a-level with her knees, 
And all her robe was woven of pale gold. 

There are there many rooms and all of gold, 
Of woven walls deep patterned, of email, 
Of beaten work ; and through the claret stone, 
Set to some weaving, comes the aureate light. 


Here am I come perforce my love of her, 

Behold mine adoration 

Maketh me clear, and there are powers in this 

Which, played on by the virtues of her soul, 

Break down the four-square walls of standing time. 



>r "TMS not a game that plays at mates and mating, 

J_ Provene knew ; 

Tis not a game of barter, lands and houses, 
Provenge knew. 

We who are wise beyond your dream of wisdom, 
Drink our immortal moments; we "pass through." 
We have gone forth beyond your bonds and borders, 
Provence knew ; 

And all the tales they ever writ of Oisin 
Say but this : 

That man doth pass the net of days and hours. 
Where time is shrivelled down to time's seed corn 
We of the Ever-living, in that light 
Meet through our veils and whisper, and of love. 

O smoke and shadow of a darkling world, 
Barters of passion, and that tenderness 
That's but a sort of cunning ! O my Love, 
These, and the rest, and all the rest we knew. 

Tis not a game that plays at mates and mating, 
'Tis not a game of barter, lands and houses, 
'Tis not " of days and nights " and troubling years, 
Of cheeks grown sunken and glad hair gone gray ; 
There is the subtler music, the clear light 

Where time burns back about th' eternal embers. 
We are not shut from all the thousand heavens : 
Lo, there are many gods whom we have seen, 
Folk of unearthly fashion, places splendid, 
Bulwarks of beryl and of chrysophrase. 

Sapphire Benacus, in thy mists and thee 
Nature herself 's turned metaphysical, 
Who can look on that blue and not believe? 

Thou hooded opal, thou eternal pearl, 

thou dark secret with a shimmering floor, 
Through all thy various mood I know thee mine ; 

If I have merged my soul, or utterly 
Am solved and bound in, through aught here on earth, 
There canst thou find me, O thou anxious thou, 
Who call'st about my gates for some lost me ; 

1 say my soul flowed back, became translucent. 
Search not my lips, O Love, let go my hands, 
This thing that moves as man is no more mortal. 
If thou hast seen my shade sans character, 

If thou hast seen that mirror of all moments, 
That glass to all things that o'ershadow it, 
Call not that mirror me, for I have slipped 
Your grasp, I have eluded. 



OW will this beauty, when I am far hence, 
Sweep back upon me and engulf my mind ! 

How will these hours, when we twain are gray, 
Turned in their sapphire tide, come flooding o'er us ! 

49 E 



LET us build here an exquisite friendship, 
The flame, the autumn, and the green rose of love 
Fought out their strife here, 'tis a place of wonder ; 
Where these have been, meet 'tis, the ground is holy. 



Her grave, sweet haughtiness 

Pleaseth me, and in like wise 

Her quiet ironies. 

Others are beautiful, none more, some less. 

I SUPPOSE, when poetry comes down to facts, 
When our souls are returned to the gods 

and the spheres they belong in, 
Here in the every-day where our acts 
Rise up and judge us ; 

I suppose there are a few dozen verities 
That no shift of mood can shake from us : 

One place where we'd rather have tea 
(Thus far hath modernity brought us) 
"Tea" (Damn you!) 

Have tea, damn the Caesars, 

Talk of the latest success, give wing to some scandal, 
Garble a name we detest, and for prejudice? 
Set loose the whole consummate pack 

to bay like Sir Roger de Coverley's 

This our reward for our works, 

sic crescit gloria mundi : 

Some circle of not more than three 

that we prefer to play up to, 

Some few whom we'd rather please 

than hear the whole aegrum vulgus 
Splitting its beery jowl 

a-meaowling our praises. 

Some certain peculiar things, 

cari laresque, penates, 
Some certain accustomed forms, 

the absolute unimportant. 



YOU away high there, 

you that lean 
From amber lattices upon the cobalt night, 
I am below amid the pine trees, 
Amid the little pine trees, hear me ! 

" The jester walked in the garden." 

Did he so? 

Well, there's no use your loving me 
That way, Lady ; 
For I've nothing but songs to give you. 

I am set wide upon the world's ways 
To say that life is, some way, a gay thing, 
5 1 

But you never string two days upon one wire 
But there'll come sorrow of it. 

And I loved a love once, 
Over beyond the moon there, 

I loved a love once, 
And, may be, more times, 

But she danced like a pink moth in the shrubbery. 

Oh, I know you women from the " other folk," 
And it'll all come right, 
O' Sundays. 

"The jester walked in the garden." 

Did he so? 




Choicely Printed at the Chisivick Press on fine 
paper. Foolscap Octavo, 2s. 6d. net 


The Observer says: "It is something:, after all, intangible and 
indescribable that makes the real poetry. Criticism and praise alike 
give no idea of it Everyone who pretends to know it when he 
sees it, should read and keep this little book." 

The Bookman : " No new book of poems for years past has had 
such a freshness of inspiration, such a strongly individual note, or 
been more alive with undoubtable promise." 

The Daily Chronicle: " All his poems are like this, trom begin 
ning to end, and in every way, his own, and in a world of his own. 
For brusque intensity of effect we can hardly compare them to any 
other work. It is the old miracle that cannot be defined, nothing 
more than a subtle entanglement of words, so that they rise out 
of their graves and sing." 

From a 3^ page detailed critique, by Mr. Edward Thomas, in 

The English Review. "He has . . . hardly any of the superficial 
good qualities of modern versifiers ; . . . He has not the current 
melancholy or resignation or unwillingness to live ; nor the kind 
of feeling for nature that runs to minute description and decorative 
metaphor. He cannot be usefully compared with any living writers ; 
. . . full of personality and with such power to express it, that from 
the first to the last lines of most of his poems he holds us steadily 
in his own pure, grave, passionate world. . . . The beauty of it 
('In praise of Ysolt') is the beauty of passion, sincerity and in 
tensity, not of beautiful words and images and suggestions ; . . . 
the thought dominates the words and is greater than they are. 
Here (' Idyl for Glaucus ') the effect is full of human passion and 
natural magic, without any of the phrases which a reader of modern 
verse would expect in the treatment of such a subject. This admir 
able poet. . . * 

The Oxford Magazine: "This is a most exciting book of 

The Evening Standard: "A queer little book which will irritate 
many readers. " 

The Morning Post: "Mr. Ezra Pound . . . immediately com 
pels our admiration by his fearlessness and lack of self-conscious 

The Isis (Oxford) : " This book has about it the breath of the 
open air, . . . physically and intellectually the verse seems to 
reproduce the personality with a brief fulness and adequacy. It is 
only in flexible, lithe measures, such as those which Coventry 
Patmore chose in his ' Unknown Eros,' and Mr. Pound chooses 
here that a fully suitable form for the recital of spiritual experience 
is to be found. Mr. Pound has a true and invariable feeling- for the 
measures he employs . . . this wonderful little book. ..." 

The Daily Telegraph-." A poet with individuality Thread 

of true beauty. . . . lifts it out of the ruck of those many volumes, 
the writers of which toe the line of poetic convention, and please 
for no more than a single reading." 

Mr. Punch, concerning a certain Mr. Ezekiel Ton : " By far the 

failed, in evolving a blend of the imagery of the unfettered west, 
the vocabulary of Wardour Street, and the sinister abandon of 
Borgaic Italy." 

Mr. Scott-James, in The Daily Nevos : "At first the whole thing- 
may seem to be mere madness and rhetoric, a vain exhibition of 
force and passion without beauty. But, as we read on, these 
curious metres of his seem to have a law and order ot their own ; 
the brute force of Mr. Pound's imagination seems to impart some 
quality of infectious beauty to his words. . . . With Mr. Pound 
there is no eking out of thin sentiment with a melody or a song-. 
He writes out of an exuberance of incontinently struggling ideas 
and passionate convictions. . . . He plunges straight into the heart 
of his theme, and suggests virility in action combined with fierce 
ness, eagerness, and tenderness. . . . he has individuality, passion, 
force, and an acquaintance with things that are profoundly mov 
ing." Mr. Scott-James begins his half-column review of Mr. 
Pound's book with a remark that he would "Like much more 
space in which to discuss his work," and also notes a certain use 
of spondee and dactyl which " Comes in strangely and, as we first 
read it, with the appearance of discord, but afterwards seems to 
grain a curious and distinctive vigour." 




Choicely Printed at the Chisiuick Press on fine 
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The Spectator says: "Mr. Ezra Pound is that rare thing 
among modern poets a scholar. He is not only cultivated but 
learned. . . . We feel that this writer has in him the capacity for 
remarkable, poetic achievement. . . . His virility and passion are 
immense. He strikes us as a little too bookish and literary, even 
when he is most untrammelled by metrical conventions. It is un 
gracious to carp at work which in itself is so fine. For the rest 
Mr. Pound's merits are singularly clear. The ' Ballad of the 
Goodly Fere,' a wonderful presentation of Christ, haunts our 
memory, so does the savage sestina which contains the reflections 
of Bertram de Born. Admirable, too, is the strange soliloquy 
' Pierre Vidal Old." Mr. Pound has flute-notes as well, as can be 
seen from 'The Portrait' and the lovely 'Night Litany.' If he 
has defects he has at any rate the true and brimming inspiration." 

The Tablet : " Mr. Pound is sometimes Celtic ; he has the love 
of out-of-the-way legends, and his high authority in Provencal 
literature and lore is made evident on nearly every page." 

The English Review. "Mr. Pound is a poet whom we have 
already welcomed. We should be inclined to say that of our 
younger poets he is the most alive, as he is the most rugged, the 
most harsh, and the most wrong-headed. The quality of his 
thought, his very thoughts themselves, are apt to be obscured by 
the derivative nature of his language. But he uses his language 
with such force, hammering as it were word into word, that we 
can have no doubt as to his vitality. And this is a quality too rare 
in the poet of to-day a quality so valuable that we are perfectly 
ready to pardon whole bushelsful of imperfections." 

The Observer: "One is glad to welcome another volume ot 
most delicate verse from Mr. Ezra Pound, whose ' Personae ' had 

a charm of fancy and finish that has carried it to a high degree of 
success. It is quite safe to say that few new poets have so quickly 
become known to literary London. . . . Mr. Pound is no poetaster." 

The New Age : "One must agree that there is in Mr. Pound's 
new book a rift of real, though vague, beauty, impalpable gold." 

The Nation : " If Mr. Pound will go on with the development 
in method shown in this latest volume, he will add to English 
poetry something which is unusual riches." 


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